25:["$","title",null,{"children":"For the Love of the Cosmos, Chapter 1 | Graham Bishop | Observable"}] 4b:T70e,objectiveDescription = md`Objective description: This project will render the first chapter of my novel-in-progress in a manner that simulates the experience of receiving a brain-to-brain telepathic correspondence. The viewer will be able to interact with the text on a website as though their browser is a device that permits such correspondence (the "PathoGraph"). The chapter itself is written in the form of a letter sent through such a device. Martian research student Dolores Lucero has won a fellowship to study at the Institute of Zoolinguistics on Earth; she sends a letter describing her first day at the Institute to her signficant other, Brady, back on Mars.

The text of the chapter will scroll across the screen in a typewriter effect. Certain words will then trigger images and sounds that capture the sender's (in this case, Dolores Lucero's) deliberate recollection of the events described. The website launches with a warning message and a question asking whether the viewer is authorized to proceed. If the viewer selects "Go on," Dolores's letter to her boyfriend Brady will scroll across the screen paragraph by paragraph. The viewer will also have the option to "Go back" and "Start again."

Images associated with particular words will flash briefly and cover the screen before returning to the text. Sounds may either be abrupt and concurrent with images or linger in the background. Multiple sounds may be superimposed in the event of particularly complex emotional experiences. In addition to sound effects that are semantically linked to the content of the text, ambient "electrical noise" will run at the beginning of the experience as though simulating action potentials in Dolores's brain (cf. this video: https://www.youtube.com/watch?v=Qz40mdaDYTU).`4c:T723,whatsAtStake = md`What's at stake: This project seeks to offer a more immersive experience for the reader of my novel-in-progress. It will also allow me to think through a new way to write for a digital medium, or at least to consider what this medium makes possible, as I write the next draft of the novel. I am especially interested in how speed of textual presentation and images or sounds associated with certain words can simulate the conscious experience of an individual. Although this first chapter was written from the point of view of a human writing a telepathic "letter" to another human, later chapters are written from the points of view of various animal species (dogs, dolphins, birds, mice, octopuses). This initial foray into a digital simulation of a human’s engagement with an imagined telepathic platform will lead to further inquiries into the similarities and differences between human and animal consciousness.

Moreover, since there is ongoing research into the possibility of telepathic communication, I want my reader to consider the ethical and cognitive implications of such communication. Would devices like the one I am trying to simulate here simply represent our thought or would they change it fundamentally? What new possibilities for (mis)interpretation would accompany such a platform?

The ethics of communicating with nonhuman life forms, or of trying to make that which is silent speak, will also be of relevance. Would speaking to animals help us to ensure more harmonious ways of managing and living in ecosystems, or would it necessarily turn into a colonial exercise of sorts?

Finally, and perhaps somewhat obviously, I want the reader to reflect on how these ethical questions can be asked in relation to communication technologies that already exist.`4d:Taa6,md `

Statement of Appreciation- David

I was immediately captivated and drawn into this piece by the first two words of Graham’s piece: “Enclosed herein” One of the most powerful aspects of Graham’s piece for me is the way it world builds, and invites readers into this world with a sense of urgency I feel thrown into his piece, and shoved around like a person being ushered through a busy NYC train station. His piece grants you a sense of importance, responsibility, and urgency, all of which are amazing reflections of what it would be like to actually encounter this technology and world. His piece does an amazing job at both putting power in the reader’s hand to hit “go on” “go back” etc. while at the same time creating such a sense of urgency that the choice isn’t really the reader’s anymore, once again, an amazing parallel of the technology imagined. The multimedia aspects of his piece strike a perfect balance between When I read Brady, the image that confuses me still has two faces on it. When I read earth, the moving image depicts a landscape I both want to recognize as earth but find hard to do so. I love that while experiencing his piece, there is no landing- no moments where the reader can pick their jaw up (except in between scenes and pathoscripts, barely). This emerges the reader in the piece’s world in an almost indescribable fashion. I’m remembering various moments of having bodily reactions to the piece, (jumping when the water splashed as I read the word water, shaking when the first moving image appeared on screen, or jolting out my seat when Ms. Dolores Lucero is sent flying while taking a seemingly forbidden step). The time based nature of the piece holds your attention and heartbeat captive, and the reader is constantly in a “catch up” stage, while reacting to a multimedia invasion into our mind, then struggling to catch up on the words still appearing on the screen. It feels like a brain, quite simply. Something about this multimedia piece feels tactile in a very new and powerful way. The constant sounds, time based language, and captivating images all contributed to the sense of captivating world building that the language already does so well. The writing itself does all of the aforementioned things powerfully, pulling us through the first day of Ms. Dolores Lucero’s time on earth, with moving through scenes fluidly following different rabbit holes of this new world, while leaving hints of all the infinite things to notice about this world. Experiencing this piece was a privilege I’m lucky to have had, and will remember my time stumbling through this new world much like Ms. Dolores Lucero for a very long time. ` 4e:T3d85,/* So, first thing. I think we will need better structural control of this PathoScript. I will make it html and I will mark up the first few paragraphs. You, Graham, check the formatting I've used and apply the same markup to all paragraphs, eventually. All tags will be of the form <[type]-[name]> [type] = au or im so far [name] must be a cell that resolves to the url of the asset which must be a File Attachment (see the 'AUDIO' section the notebook and figure out my conventions All these assets will have to be register in 'sounds' or (soon) 'images' objects which are hand-coded (by you). i.e. 1. create a cell that resolves to the urk of an File Attached asset 2. register the cell name in the sounds or (soon) images object ONLY SOUNDS WORK FOR NOW*/ Pathoscript1 = html`

ENCLOSED HEREIN ARE THE RECORDS OF ALL PATHOSCRIPTS TRANSMITTED BY MS. DOLORES LUCERO BETWEEN THE TERRAN CALENDAR DATES OF SEPTEMBER 20, 2128, AND MARCH 15, 2130. THESE CLASSIFIED DOCUMENTS ARE OF THE HIGHEST SENSITIVITY AND ARE TO REMAIN ONLY IN THE POSSESSION OF INDIVIDUALS AUTHORIZED BY THE STATE DEPARTMENT OF THE MARTIAN HUMAN UNION. SELECT "GO ON" IF YOU ARE AUTHORIZED.

PATHOSCRIPT 1 – SEPTEMBER 20, 2128, 8:50 PM

Dear Brady,

I can’t wait to tell you how wrong about Earth you were. Everything is so much greener and livelier than our education would have us believe. I just had a riveting meeting with my new advisor. You would find the area around his laboratory absolutely breathtaking. On all of Mars, I don’t believe I would ever have found such a perfect location for pursuing my research. The State Department will not regret funding my shuttle ride.

And Mr. Varuna is such a respectable ambassador for the suffering planet my ancestors shared with his. Seven and a half feet upright is quite on the shorter side for a bottlenose dolphin, yes—but a beautiful specimen nonetheless. I can only hope I didn’t cause him sunburn when, approaching him in his study pool to offer greetings, I startled him into shooting out of the water and flopping onto the hot ground. My first words went something like: “Mr. Varuna? Oh!—my apologies.”

Eeking, he shimmied toward his respiratory wetsuit and his walker, flapping a fin toward his mouth to indicate he couldn’t yet reply. I continued, perhaps too verbosely: “Ms. Dolores Lucero, the new grantee from Musk University, sir. I wanted to introduce myself right after I landed, so as to inquire about any necessary safety procedures before going to my new residence. I understand that this is your first time soliciting Martian assistance, so I apologize if my questions are—"

Having slipped into the suit and activated his microphone, he interrupted: “Dolores, I run the only facility of my kind in the solar system—possibly in the universe, for all we know. I would be a fool not to expect some questions from a human guest.” He said this in a way that fully discouraged me from posing any further questions; at the same time, I understood he expected me to follow him.

His walker hovering over the ground, I trailed his at once frail and regal body down a path that wound through some dense tropical foliage. You can imagine how wide my eyes were as we walked: the mist washing over my face; the chirping of unseen creatures; the shades of green we never see at home—the documentaries don’t do it justice. Stopping at a large cage, my host called out: “Iguazu, take Ms. Lucero’s suitcase and bring us some fish.”

Iguazu was a fat, lumbering African grey parrot, whom I would guess to be significantly older than even Mr. Varuna. “Martian bitch!” he squawked while taking my suitcase into his beak—a vulgar outburst that I would like to attribute to the interspecies language barrier. ‘I suppose I really am the first human to work in Mr. Varuna’s lab,’ I thought on seeing this odd recruitment of avian labor.

I should probably tell you a bit about the Institute of Zoolinguistics, this laboratory complex where Mr. Varuna lives and works. You must be as confused reading about it as I was experiencing it.

The Institute occupies an area of one hundred acres. Its grounds were home to a zoological garden for human tourists through much of the prenuclear 21st century (apologies if you know some of this information already). The lab appears to maintain the open-air layout of the original gardens, but a slight echo from above alerted me to the presence of a massive transparent dome that shields us from the radioactivity of the surrounding terrain. Some form of protection must have been in place here for several decades, or else the structures of the old zoo would be just as much rubble as the buildings of the American city (San Diego, it was called) that once thrived around this place.

While never the bullseye of an intercontinental ballistic missile, this ghost town was the target of multiple nuclear artillery sieges during the War. I assume that the resulting environmental stress, coupled with the city’s existing expertise in bioengineering, was one of the main conditions promoting the rapid linguistic specialization that has taken place among the animals that survived into the latter half of the last century. Of course, as we first discussed when you were still the teaching assistant with whom I’d secretly fallen in love during my junior year, humans intervened and shepherded them.

I can’t provide you a much more detailed history than that, I’m afraid. I cleared my throat a few times after meeting Iguazu, hoping to muster the courage to ask for one, but Mr. Varuna began emitting a harsh beeping noise much like the one my shuttle makes when I unlock it. By then, I needed to run to keep up with him.

At last, we entered a sandy expanse, in the middle of which stood what looked like a desert playhouse: three high, open-air platforms, each holding different, seemingly human pieces of furnishing—like multileveled rooms of a house, except without walls or ceilings—were connected by metal beams to the top of a tall pillar; they jutted out at different angles, as though to pay tribute to three different points in the sky. The structure is clearly meant to simulate an Earth home of last century in some way, though for what purpose I cannot say—perhaps as a kind of outdoor museum exhibit, or perhaps as something more ceremonial or religious; the central support does bear a striking resemblance to a “totem pole” (I learned about these in an Earth history course—not sure if you know the term). Orbiting around this structure, meanwhile, was a churning moat full of oily black liquid, on the far side of which stood an austere, rather wide white building with no windows.

Without warning, my host outstretched the mechanical fingers at the end of his fin and pulled me—aggressively though not quite violently—onto his hovering walker. A humming accompanied our ascent to the top of the three platforms, at which level I could now see a great chunk of, if not quite all the area of the Institute grounds.

Some of the discrete biomes dividing the complex were now visible: to the south, the tropical rainforest through which we had just traveled;

to the east, a flat, grassy plain covered with scrub, and a little beyond that the heavily secured entrance where I had undergone a biometric scan;

to the west, a hilly, snowy expanse;

and in our immediate vicinity, the desert environment where we now stood.

Turning myself around, I was not able to see past the white building, but the apparent significance of the landmark—and the fact I could not see beyond it— suggested we were near the northern perimeter of the Institute grounds. There may exist another biome or two, but the thick canopy facing me and the miniature mountains on my right stood higher than the platformed “totem pole.”

As for the platforms themselves, the top one where we now were appeared to contain a human Earthling’s living room, albeit a sparsely furnished one. The no less barren middle platform, with its twin bed and its colorful chest, resembled the bedroom of an underprivileged human child. The lowest, finally, was some kind of washroom; though it held no objects of functional plumbing, but rather a box filled with sawdust and a wooden tub of dingy grey bathwater.

Mr. Varuna, who at last stopped his beeping, could not have been the primary user of these human objects. He showed a certain discomfort and revulsion around this furniture, squeezing his mechanically clawed fins together to avoid touching any of it. I also recognized that his height would have required him to tilt his head beneath the ceiling of the lower platforms in a likely painful manner.

I thought it odd that he still insisted on using his walker in this small, flat space. Preparing for my trip, I had come across old photos of him engaged in an impressive practice of vertical, self-propelled “tail-walking” Why did we not just use the staircase to come up? He must have lost this ability with age, I conjectured; or, perhaps, owing to his reserved nature, my presence as a human guest discouraged him from displaying such a primal form of mobility. This being my first visit to Earth, I wanted to be careful to avoid quick judgments informed only by the mediatized vision I have received of the planet, along with some rather sensational anecdotes from my grandparents.

He flopped stomach down onto a dilapidated sofa and let out a loud burst of air through his blowhole. “I’ll show you to the sensorium in a moment.” Before I could ask what the sensorium was, or what we were waiting for, he continued brusquely: “Feel free to poke around in this room.” After giving a smile and a nod, I began shuffling around the 300 or so square foot room, admiring the wood grain on the two end tables for lack of other options.

I wondered if my new situation would in fact prove as isolating as you had warned me it might be. I do think it was wrong of you to call this planet a “barren hellhole,” but you were right that I would miss your touch almost immediately. It had not so much mattered to me whether any other humans would be here, but were there even that many animals? I had thus far come across two, with the exception of some insects here and there. I fear that it will be quite lonely here without you. The distance has only deepened my love for you.

With my thoughts drifting elsewhere, and Mr. Varuna motionless on the couch, I wandered toward the steps to try peering down at the level below us. I would not have dared descending without my host’s permission, but I should have checked my curiosity even so: As soon as I set my foot on the first step, a sonic explosion threw me off my feet and sent me tumbling headfirst down the stairs. I cannot say what produced the awful noise, only that it was a nearly deafening cacophony, which seemed to combine the sounds of numerous animals: barking, screeching, roaring, and other inhuman vocalizations barraged me from all sides.

I would have continued straight off the edge of the middle platform had Mr. Varuna not saved me from a very painful fall. Skidding along the linoleum floor, he grabbed my collar in his teeth and launched us up off the ground with his tail. Twisting his body back in the air, he tossed me as gently as possible onto the twin bed, while allowing himself to belly-flop on the tile next to me. The horrible chorus stopped once he emitted two beeps like the ones he had earlier.

Now we were listening to a new, almost as awful combination of noises: the sound of a dog barking mixed with a buzz of squirming and squishing. We stood up to see below what must have been thousands of black beetles crawling out of the moat and rushing toward the base of our totem. The barking grew louder until the front door of the big white building flapped open to reveal a small human of uncertain gender hopping on all fours.

au-barking>“HEY!” Mr. Varuna slid over to his walker as the dog-human leapt over the moat and began pawing the beetles into its mouth. Shrieking and clicking, the dolphin hovered to the ground and fin-slapped the human beast onto its back. The two exchanged a lengthy series of eeks and barks. I don’t know what they were quarreling over, but they turned every now and then to look up toward me or behind them at the still-swinging door of the building.

A burst of wind through my hair signaled the arrival of Iguazu, who plopped a gasping catfish on the tile next to me. He swooped down to dig his talons into the dog-person’s neck. Hearing the latter’s scream of pain, I winced out of natural empathy with the only other human body I’ve seen on Earth thus far (although the violence was likely necessary to subdue the creature). Whimpering, and hoping to avoid further piercing from the parrot’s claws, it hurried back into the building. At the same time, the black beetles began turning back toward the moat. Iguazu cawed with victory and flew off into the rainforest. Silence at last.

“I’m so terribly sorry! The noises I made on our way here usually keep him from going outside.” Panting through his back, Mr. Varuna hovered back up to me and touched a fin on my shoulder. “On second thought, today would not be the best day to show you through the sensorium. I would urge you to forget whatever it is you think you just saw and reserve your judgment for your second visit, once I’ve done some work to debrief the inhabitants of this facility on your arrival and your role here. This should have been done before you came, of course, but I had not expected you to arrive for several days still.” My official employment begins on October 1, so this was understandable.

“It’s really no trouble at all,” I said, checking my hair for bird droppings, “I can come back tomorrow.” He, probably grateful to see that I appreciated the difficulties of accommodating a foreign guest, invited me to exchange a few minutes of small talk regarding my home settlement and the quality of my shuttle ride. His newly relaxed posture and congenial tone allowed me to recognize the earlier panic for the minor disruption it was, and I breathed with greater freedom as he removed from an end table drawer a map of the region’s air travel routes.

Waiting for the pod I had called from my shuttle, I accepted his offer to host me again tomorrow.

I suppose that concludes my notes on the first day here. I’ll be able to tell you about my living situation tomorrow. For now, though, I desperately need sleep! I look forward to hearing from you after all this time. Is your dissertation on track?

With much love, Dolores

END OF PATHOSCRIPT 1

`4f:T563,html`

Forest Sounds

Squeezing

dramatic opening sound: https://www.youtube.com/watch?v=aNkOmR_3D2I action potential spikes: https://www.youtube.com/watch?v=Qz40mdaDYTU splash: https://www.youtube.com/watch?v=evUExTz5xso
squawking: https://www.youtube.com/watch?v=A-Tst2R3np8
dolphin eeking: https://www.youtube.com/watch?v=MGSTRJmN2VQ nuclear explosion: https://www.youtube.com/watch?v=vxNnUU3eRD0 humming: https://www.youtube.com/watch?v=jmMUwii2tec bubbling: https://www.youtube.com/watch?v=h8x8K0HE_cU barking: https://www.youtube.com/watch?v=aReRSVpg298 screaming: https://www.youtube.com/watch?v=o_5uZuRDglA roaring: https://www.youtube.com/watch?v=FAglo3Ohpes howling: https://www.youtube.com/watch?v=8_8Pk7pwNUI chimp screaming: https://www.youtube.com/watch?v=Stpl-99JCTc elephant sounds: https://www.youtube.com/watch?v=t-4bIA7Uck0 car lock/unlock: https://www.youtube.com/watch?v=32Ndwh2i_2c squirming: https://www.youtube.com/watch?v=9QfumG-1Ryk wind: https://www.youtube.com/watch?v=H9yJsRJ9bd0 fish flopping: https://www.youtube.com/watch?v=iRKbxIUTsRY sighing: https://www.youtube.com/watch?v=c7YPWfwKr88 whooshing: https://www.youtube.com/watch?v=BOzo7OZIpZE`50:Tb72,md`--- ### Pseudocode:

IntroText scrolls across page, horizontally, line by line, green font on black background. A low-frequency hum 
is in the background. 

When IntroText finishes scrolling, "I understand" checkbox displays.

Viewer must click checkbox next to “I understand” to reveal “Continue” button. 

If viewer clicks continue, IntroText disappears and Pathoscript1 begins scrolling across page.

Pathoscript1 title text runs across the page. 

Title text wipes away. 

"Dear Brady" appears one word at a time, then fades away. 

“Accept Pathoscript? Yes/No” appears. 

If No, window closes. If Yes, “Accept” text disappears. 

“PRESS SPACEBAR TO PAUSE. PRESS ENTER TO SKIP TO NEXT PARAGRAPH. PRESS BACKSPACE TO RETURN TO PREVIOUS PARGRAPH. 
PRESS LEFT ARROW TO SLOW DOWN, PRESS RIGHT ARROW TO SPEED UP.” blinks on screen five times for five seconds, then 
disappears. (Viewer can retrieve this message when pausing with spacebar, as it will appear on the bottom of 
the screen.) 

Zoo noises start up, then “I can’t wait to tell you...” begins scrolling across the page at a pace of 250 words per 
minute (this can be slowed to 100 words per minute or sped up to 400 words per minute at intervals of +/- 50 wpm 
using the arrow keys).

During or after every paragraph, a new sound effect (and, sometimes, background image) or two will be 
activated. 

Text pauses for two seconds after each paragraph before continuing. Paragraphs of two lines or fewer 
(e.g. 
dialogue) will be displayed together with the previous paragraph before the pause. 

Text of preceding paragraph wipes away as the text of the next paragraph begins to scroll. By the time the
paragraph has finished scrolling, it should be the only text on the screen. Pressing enter will stop paragraph 
mid-scroll and jump immediately to next paragraph.

List of sound effects and images with associated cues (links to be provided later):
dolphin shooting out of water ("shooting") image: dolphin/Varuna
fin flapping ("flapping")
mist, jungle noises ("tropical") image: rainforest canopy
squawking ("parrot") image: African grey parrot
bomb detonating ("target") image: layout of San Diego Zoo ("Institute")
car alarm ("emitting") 
humming e.g. elevator ("humming") image: San Diego zoo elephant exhibit ("playhouse")
images: rainforest canopy ("south"), scrub ("east"), tundra ("west"), desert ("immediate"), windowless white building ("white")
bubbling ("churning")
balloon squeaking to imitate dolphin skin rubbing ("squeezing")
image: dolphin tail-walking ("tail")
barking, screeching, roaring, and other inhuman vocalizations ("cacophony")
two beeps ("two")
barking ("barking")
worms squirming or beetles scuttling ("squirming") image: beetles
dolphin eeking and clicking, barking ("shrieking")
wind ("wind")
fish flopping ("catfish")
relaxed sighing ("congenial")
whooshing ("tomorrow") image: shuttle/hovercraft

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Love of the Cosmos, Chapter 1","thumbnail":"d6fc636dee81a6c6cc2f4ef428bc884d5bae0a78c85a9b18d817632980a37afb","access_level":"public","create_time":"$D2021-02-08T22:30:08.484Z","update_time":"$D2022-10-07T00:19:17.652Z","view_time":null,"first_public_time":"$D2021-02-20T20:41:20.863Z","has_unpublished_edits":null,"fork":false,"stars":0,"starred":false,"owner":{"type":"team","id":"1a8585d0ff91ed0e","login":"grahammatology","name":"Graham Bishop","avatar_url":"https://avatars-next.observableusercontent.com/77a4ff21ff1d97dbbc43478d46f1ad4d724cfa34d231aaa4c782392a0207a634","tier":"starter_2024","bio":"","followed_by_you":false,"follows_you":false},"version":1092,"publish_version":1092,"role":null,"authored":false,"authors":[{"type":"individual","id":"4a2e624c64177de2","login":"grahammatology","name":"Graham Bishop","avatar_url":"https://avatars-next.observableusercontent.com/77a4ff21ff1d97dbbc43478d46f1ad4d724cfa34d231aaa4c782392a0207a634","tier":null,"bio":"","followed_by_you":false,"follows_you":false}],"members":[{"type":"individual","id":"4a2e624c64177de2","login":"grahammatology","name":"Graham Bishop","avatar_url":"https://avatars-next.observableusercontent.com/77a4ff21ff1d97dbbc43478d46f1ad4d724cfa34d231aaa4c782392a0207a634","tier":null,"role":"editor"}],"comments":[{"id":"72e021407f9fd60b","reply_to_id":null,"content":"Hi Graham, Sounds can be triggered. Read the long comment at the beginning of this cell for guidance. Fun. Best, John","create_time":"$D2021-04-08T21:51:08.339Z","update_time":null,"resolved":false,"user":{"type":"individual","id":"5c3cbd6193f712f7","login":"shadoof","name":"John Cayley","avatar_url":"https://avatars-next.observableusercontent.com/d4a045c1060f722297a6047ffa90d6cd33806f54fcaa444ac3f1882c0fd4ee4f","tier":null}}],"custom_thumbnail":false,"trashed":false,"lapsed":null,"subscribed":null,"forks":5,"collection":null,"type":"notebook","body":{"titling":"auto","title":"For the Love of the Cosmos, Chapter 1","cells":[{"id":0,"value":"md`# For the Love of the Cosmos, Chapter 1`","pinned":false,"hidden":false,"mode":"ojs","author":"$undefined","summary":"$undefined","tool":"$undefined","providerMetadata":"$undefined","attachments":"$undefined","output":"$undefined","database":"$undefined"},{"id":123,"value":"md`by Graham Bishop`","pinned":false,"hidden":false,"mode":"ojs","author":"$undefined","summary":"$undefined","tool":"$undefined","providerMetadata":"$undefined","attachments":"$undefined","output":"$undefined","database":"$undefined"},{"id":125,"value":"md`Proposed media: Web application (HTML, CSS, Javascript, YouTube and SoundCloud samples)`","pinned":false,"hidden":false,"mode":"ojs","author":"$undefined","summary":"$undefined","tool":"$undefined","providerMetadata":"$undefined","attachments":"$undefined","output":"$undefined","database":"$undefined"},{"id":73,"value":"$4b","pinned":false,"hidden":false,"mode":"ojs","author":"$undefined","summary":"$undefined","tool":"$undefined","providerMetadata":"$undefined","attachments":"$undefined","output":"$undefined","database":"$undefined"},{"id":72,"value":"$4c","pinned":false,"hidden":false,"mode":"ojs","author":"$undefined","summary":"$undefined","tool":"$undefined","providerMetadata":"$undefined","attachments":"$undefined","output":"$undefined","database":"$undefined"},{"id":116,"value":"md`References:
Jakob von Uexkull's A Foray Into the World of Animals and Humans
Zizek's Hegel in a Wired Brain
Baudrillard's Simulacra and Simulation
Nalo Hopkinson's Midnight Robber
Octavia Butler's Patternist series
Frank Herbert's Dune
David Brin's Startide Rising
John Wyndham's The Chrysalids
Espen Aarseth's Cybertext`","pinned":false,"hidden":false,"mode":"ojs","author":"$undefined","summary":"$undefined","tool":"$undefined","providerMetadata":"$undefined","attachments":"$undefined","output":"$undefined","database":"$undefined"},{"id":1075,"value":"$4d","pinned":false,"hidden":false,"mode":"ojs","author":"$undefined","summary":"$undefined","tool":"$undefined","providerMetadata":"$undefined","attachments":"$undefined","output":"$undefined","database":"$undefined"},{"id":71,"value":"md`---\n#### Dynamic Notebook`","pinned":false,"hidden":false,"mode":"ojs","author":"$undefined","summary":"$undefined","tool":"$undefined","providerMetadata":"$undefined","attachments":"$undefined","output":"$undefined","database":"$undefined"},{"id":17,"value":"md`Project description: A rendering of the first chapter of my novel that simulates the experience of receiving a brain-to-brain telepathic correspondence.`","pinned":true,"hidden":false,"mode":"ojs","author":"$undefined","summary":"$undefined","tool":"$undefined","providerMetadata":"$undefined","attachments":"$undefined","output":"$undefined","database":"$undefined"},{"id":620,"value":"viewof qb = Button(\"Press\", {reduce: async () => await displayImage(\"pathoscripture\", 2)})","pinned":true,"hidden":false,"mode":"ojs","author":"$undefined","summary":"$undefined","tool":"$undefined","providerMetadata":"$undefined","attachments":"$undefined","output":"$undefined","database":"$undefined"},{"id":630,"value":"startAtParagraph = 1;","pinned":true,"hidden":false,"mode":"ojs","author":"$undefined","summary":"$undefined","tool":"$undefined","providerMetadata":"$undefined","attachments":"$undefined","output":"$undefined","database":"$undefined"},{"id":158,"value":"pathoReader = html`

\n \n

= = = P a t h o G r a p h = = =

\n`","pinned":false,"hidden":false,"mode":"ojs","author":"$undefined","summary":"$undefined","tool":"$undefined","providerMetadata":"$undefined","attachments":"$undefined","output":"$undefined","database":"$undefined"},{"id":156,"value":"viewof readerControls = Button(\n [\n [\n \"GO ON\",\n value => {\n textToBeTyped.innerHTML = ``;\n value = value + 1;\n if (value >= numberOfPs) value = startAtParagraph - 1;\n let elem = pNodes[value];\n typewriter(elem.innerText, elem.innerHTML);\n return value;\n }\n ],\n [\n \"GO BACK\",\n value => {\n textToBeTyped.innerHTML = ``;\n value = value - 1;\n if (value <= startAtParagraph - 2) value = numberOfPs - 1;\n let elem = pNodes[value];\n typewriter(elem.innerText, elem.innerHTML);\n return value;\n }\n ],\n [\n \"START AGAIN\",\n value => {\n textToBeTyped.innerHTML = ``;\n value = startAtParagraph - 1;\n let elem = pNodes[value];\n typewriter(elem.innerText, elem.innerHTML);\n return value;\n }\n ]\n ],\n {\n value: startAtParagraph - 2,\n disabled: false\n }\n)","pinned":false,"hidden":false,"mode":"ojs","author":"$undefined","summary":"$undefined","tool":"$undefined","providerMetadata":"$undefined","attachments":"$undefined","output":"$undefined","database":"$undefined"},{"id":157,"value":"md`---\n### Controls, Functions, Mutables`","pinned":false,"hidden":false,"mode":"ojs","author":"$undefined","summary":"$undefined","tool":"$undefined","providerMetadata":"$undefined","attachments":"$undefined","output":"$undefined","database":"$undefined"},{"id":154,"value":"typewriter = async (script,sHtml) => {\n let a = script.split(\"\");\n let h = sHtml.split(\"\");\n let type = \"\",\n name = \"\";\n for (let i = 0; i < a.length; i++) {\n textToBeTyped.innerHTML += await Promises.delay(typeSeconds * 1000, a[i]);\n // parse out special tags in paragraphs:\n type = \"\";\n name = \"\";\n if (h[0] == \"<\") {\n let endType = h.indexOf(\"-\");\n type = h.slice(1, endType).join(\"\");\n let endName = h.indexOf(\">\");\n name = h.slice(endType + 1, endName).join(\"\");\n if (type == \"au\") {\n playSound(name);\n }\n if (type == \"im\") {\n await displayImage(name, displayImageFor);\n }\n h = h.slice(endName + 1)\n }\n else {\n h = h.slice(1);\n }\n }\n}","pinned":true,"hidden":false,"mode":"ojs","author":"$undefined","summary":"$undefined","tool":"$undefined","providerMetadata":"$undefined","attachments":"$undefined","output":"$undefined","database":"$undefined"},{"id":153,"value":"md`---\n### Parameters`","pinned":false,"hidden":false,"mode":"ojs","author":"$undefined","summary":"$undefined","tool":"$undefined","providerMetadata":"$undefined","attachments":"$undefined","output":"$undefined","database":"$undefined"},{"id":152,"value":"typeSeconds = .045","pinned":true,"hidden":false,"mode":"ojs","author":"$undefined","summary":"$undefined","tool":"$undefined","providerMetadata":"$undefined","attachments":"$undefined","output":"$undefined","database":"$undefined"},{"id":851,"value":"displayImageFor = 3.5","pinned":true,"hidden":false,"mode":"ojs","author":"$undefined","summary":"$undefined","tool":"$undefined","providerMetadata":"$undefined","attachments":"$undefined","output":"$undefined","database":"$undefined"},{"id":150,"value":"numberOfPs = pNodes.length","pinned":true,"hidden":false,"mode":"ojs","author":"$undefined","summary":"$undefined","tool":"$undefined","providerMetadata":"$undefined","attachments":"$undefined","output":"$undefined","database":"$undefined"},{"id":151,"value":"pNodes = Array.from(Pathoscript1.querySelectorAll('p'))","pinned":true,"hidden":false,"mode":"ojs","author":"$undefined","summary":"$undefined","tool":"$undefined","providerMetadata":"$undefined","attachments":"$undefined","output":"$undefined","database":"$undefined"},{"id":803,"value":"textToBeTyped = pathoReader.querySelector(\"#textToBeTyped\")","pinned":true,"hidden":false,"mode":"ojs","author":"$undefined","summary":"$undefined","tool":"$undefined","providerMetadata":"$undefined","attachments":"$undefined","output":"$undefined","database":"$undefined"},{"id":149,"value":"md`---\n### Styles`","pinned":false,"hidden":false,"mode":"ojs","author":"$undefined","summary":"$undefined","tool":"$undefined","providerMetadata":"$undefined","attachments":"$undefined","output":"$undefined","database":"$undefined"},{"id":148,"value":"css = html``","pinned":true,"hidden":false,"mode":"ojs","author":"$undefined","summary":"$undefined","tool":"$undefined","providerMetadata":"$undefined","attachments":"$undefined","output":"$undefined","database":"$undefined"},{"id":64,"value":"import { Button } from \"@observablehq/inputs\"","pinned":true,"hidden":false,"mode":"ojs","author":"$undefined","summary":"$undefined","tool":"$undefined","providerMetadata":"$undefined","attachments":"$undefined","output":"$undefined","database":"$undefined"},{"id":131,"value":"RiTa = require(\"rita\")","pinned":true,"hidden":false,"mode":"ojs","author":"$undefined","summary":"$undefined","tool":"$undefined","providerMetadata":"$undefined","attachments":"$undefined","output":"$undefined","database":"$undefined"},{"id":841,"value":"$$ = require(\"jquery\")","pinned":true,"hidden":false,"mode":"ojs","author":"$undefined","summary":"$undefined","tool":"$undefined","providerMetadata":"$undefined","attachments":"$undefined","output":"$undefined","database":"$undefined"},{"id":4,"value":"$4e","pinned":false,"hidden":false,"mode":"ojs","author":"$undefined","summary":"$undefined","tool":"$undefined","providerMetadata":"$undefined","attachments":"$undefined","output":"$undefined","database":"$undefined"},{"id":183,"value":"md`---\n### Images, Video, Audio`","pinned":false,"hidden":false,"mode":"ojs","author":"$undefined","summary":"$undefined","tool":"$undefined","providerMetadata":"$undefined","attachments":"$undefined","output":"$undefined","database":"$undefined"},{"id":408,"value":"md`#### AUDIO`","pinned":false,"hidden":false,"mode":"ojs","author":"$undefined","summary":"$undefined","tool":"$undefined","providerMetadata":"$undefined","attachments":"$undefined","output":"$undefined","database":"$undefined"},{"id":327,"value":"playSound = (name) => {\n let sound = document.createElement('audio');\n sound.src = sounds[name];\n sound.play();\n}","pinned":false,"hidden":false,"mode":"ojs","author":"$undefined","summary":"$undefined","tool":"$undefined","providerMetadata":"$undefined","attachments":"$undefined","output":"$undefined","database":"$undefined"},{"id":310,"value":"spikes = FileAttachment(\"Spikes (action potentials) from a neuron in visual cortex.mp3\").url()","pinned":false,"hidden":false,"mode":"ojs","author":"$undefined","summary":"$undefined","tool":"$undefined","providerMetadata":"$undefined","attachments":"$undefined","output":"$undefined","database":"$undefined"},{"id":387,"value":"dramatic = FileAttachment(\"dramatic Sound.mp3\").url()","pinned":false,"hidden":false,"mode":"ojs","author":"$undefined","summary":"$undefined","tool":"$undefined","providerMetadata":"$undefined","attachments":"$undefined","output":"$undefined","database":"$undefined"},{"id":207,"value":"forest = FileAttachment(\"forest ambience.mov\").url()","pinned":false,"hidden":false,"mode":"ojs","author":"$undefined","summary":"$undefined","tool":"$undefined","providerMetadata":"$undefined","attachments":"$undefined","output":"$undefined","database":"$undefined"},{"id":1019,"value":"sandy = FileAttachment(\"sandy.mov\").url()","pinned":true,"hidden":false,"mode":"ojs","author":"$undefined","summary":"$undefined","tool":"$undefined","providerMetadata":"$undefined","attachments":"$undefined","output":"$undefined","database":"$undefined"},{"id":220,"value":"rubbing = FileAttachment(\"Balloon rubbing with hands sound effect stereo HQ 96kHz.mp3\").url()","pinned":false,"hidden":false,"mode":"ojs","author":"$undefined","summary":"$undefined","tool":"$undefined","providerMetadata":"$undefined","attachments":"$undefined","output":"$undefined","database":"$undefined"},{"id":511,"value":"splash = FileAttachment(\"Water Splashing Sound Effect (1).mov\").url()","pinned":true,"hidden":false,"mode":"ojs","author":"$undefined","summary":"$undefined","tool":"$undefined","providerMetadata":"$undefined","attachments":"$undefined","output":"$undefined","database":"$undefined"},{"id":513,"value":"eeking = FileAttachment(\"Dolphin-Sound Effect.mp3\").url()","pinned":true,"hidden":false,"mode":"ojs","author":"$undefined","summary":"$undefined","tool":"$undefined","providerMetadata":"$undefined","attachments":"$undefined","output":"$undefined","database":"$undefined"},{"id":514,"value":"squawking = FileAttachment(\"Red-crowned Parrot squawking.mp3\").url()","pinned":true,"hidden":false,"mode":"ojs","author":"$undefined","summary":"$undefined","tool":"$undefined","providerMetadata":"$undefined","attachments":"$undefined","output":"$undefined","database":"$undefined"},{"id":516,"value":"nuclear = FileAttachment(\"Nuclear explosion sound effect.mp3\").url()","pinned":true,"hidden":false,"mode":"ojs","author":"$undefined","summary":"$undefined","tool":"$undefined","providerMetadata":"$undefined","attachments":"$undefined","output":"$undefined","database":"$undefined"},{"id":518,"value":"beeping = FileAttachment(\"Car Lock Unlock Sound Effect HD360P.mp3\").url()","pinned":true,"hidden":false,"mode":"ojs","author":"$undefined","summary":"$undefined","tool":"$undefined","providerMetadata":"$undefined","attachments":"$undefined","output":"$undefined","database":"$undefined"},{"id":527,"value":"bubbling = FileAttachment(\"Bubbling Water Sound Effect [HD DOWNLOAD].mp3\").url()","pinned":true,"hidden":false,"mode":"ojs","author":"$undefined","summary":"$undefined","tool":"$undefined","providerMetadata":"$undefined","attachments":"$undefined","output":"$undefined","database":"$undefined"},{"id":523,"value":"humming = FileAttachment(\"Mysterion low ship humming - Sound Effect (HD).mp3\").url()","pinned":true,"hidden":false,"mode":"ojs","author":"$undefined","summary":"$undefined","tool":"$undefined","providerMetadata":"$undefined","attachments":"$undefined","output":"$undefined","database":"$undefined"},{"id":529,"value":"barking = FileAttachment(\"Dog Barking - Sound Effect.mp3\").url()","pinned":true,"hidden":false,"mode":"ojs","author":"$undefined","summary":"$undefined","tool":"$undefined","providerMetadata":"$undefined","attachments":"$undefined","output":"$undefined","database":"$undefined"},{"id":531,"value":"chimp = FileAttachment(\"Chimpanzee Screams (Boosted Bonobo) - Sound Effect for editing.mp3\").url()","pinned":true,"hidden":false,"mode":"ojs","author":"$undefined","summary":"$undefined","tool":"$undefined","providerMetadata":"$undefined","attachments":"$undefined","output":"$undefined","database":"$undefined"},{"id":533,"value":"roar = FileAttachment(\"Lion Roar Sound Effect.mp3\").url()","pinned":true,"hidden":false,"mode":"ojs","author":"$undefined","summary":"$undefined","tool":"$undefined","providerMetadata":"$undefined","attachments":"$undefined","output":"$undefined","database":"$undefined"},{"id":535,"value":"elephant = FileAttachment(\"Elephant-Sound Effects.mp3\").url()","pinned":true,"hidden":false,"mode":"ojs","author":"$undefined","summary":"$undefined","tool":"$undefined","providerMetadata":"$undefined","attachments":"$undefined","output":"$undefined","database":"$undefined"},{"id":537,"value":"wolf = FileAttachment(\"Wolf howling at night sound effect.mp3\").url()","pinned":true,"hidden":false,"mode":"ojs","author":"$undefined","summary":"$undefined","tool":"$undefined","providerMetadata":"$undefined","attachments":"$undefined","output":"$undefined","database":"$undefined"},{"id":539,"value":"scream = FileAttachment(\"Scream Sound effect (funny).mp3\").url()","pinned":true,"hidden":false,"mode":"ojs","author":"$undefined","summary":"$undefined","tool":"$undefined","providerMetadata":"$undefined","attachments":"$undefined","output":"$undefined","database":"$undefined"},{"id":541,"value":"squish = FileAttachment(\"Wet Squish - Sound Effect.mp3\").url()","pinned":true,"hidden":false,"mode":"ojs","author":"$undefined","summary":"$undefined","tool":"$undefined","providerMetadata":"$undefined","attachments":"$undefined","output":"$undefined","database":"$undefined"},{"id":543,"value":"wind = FileAttachment(\"Gust Of Wind Sound Effect.mp3\").url()","pinned":true,"hidden":false,"mode":"ojs","author":"$undefined","summary":"$undefined","tool":"$undefined","providerMetadata":"$undefined","attachments":"$undefined","output":"$undefined","database":"$undefined"},{"id":545,"value":"fish = FileAttachment(\"All Fish Sounds (Minecraft) - Sound Effects for editing.mp3\").url()","pinned":true,"hidden":false,"mode":"ojs","author":"$undefined","summary":"$undefined","tool":"$undefined","providerMetadata":"$undefined","attachments":"$undefined","output":"$undefined","database":"$undefined"},{"id":547,"value":"sigh = FileAttachment(\"Sigh Sound Effect.mp3\").url()","pinned":true,"hidden":false,"mode":"ojs","author":"$undefined","summary":"$undefined","tool":"$undefined","providerMetadata":"$undefined","attachments":"$undefined","output":"$undefined","database":"$undefined"},{"id":549,"value":"whoosh = FileAttachment(\"Jet Fly By Whoosh Sound Effect.mp3\").url()","pinned":true,"hidden":false,"mode":"ojs","author":"$undefined","summary":"$undefined","tool":"$undefined","providerMetadata":"$undefined","attachments":"$undefined","output":"$undefined","database":"$undefined"},{"id":908,"value":"panting = FileAttachment(\"Panting Male Sound Effect.mp3\").url()","pinned":true,"hidden":false,"mode":"ojs","author":"$undefined","summary":"$undefined","tool":"$undefined","providerMetadata":"$undefined","attachments":"$undefined","output":"$undefined","database":"$undefined"},{"id":910,"value":"kiss = FileAttachment(\"Kiss Sound Effect.mp3\").url()","pinned":true,"hidden":false,"mode":"ojs","author":"$undefined","summary":"$undefined","tool":"$undefined","providerMetadata":"$undefined","attachments":"$undefined","output":"$undefined","database":"$undefined"},{"id":912,"value":"boing = FileAttachment(\"Cartoon Boing 2 Sound Effect (download).mp3\").url","pinned":true,"hidden":false,"mode":"ojs","author":"$undefined","summary":"$undefined","tool":"$undefined","providerMetadata":"$undefined","attachments":"$undefined","output":"$undefined","database":"$undefined"},{"id":381,"value":"sounds = ({\"dramatic\": dramatic,\n \"forest\": forest,\n \"rubbing\": rubbing,\n \"spikes\": spikes,\n \"splash\": splash,\n \"eeking\": eeking,\n \"squawking\": squawking,\n \"nuclear\": nuclear,\n \"beeping\": beeping,\n \"bubbling\": bubbling,\n \"humming\": humming,\n \"barking\": barking,\n \"chimp\": chimp,\n \"roar\": roar,\n \"elephant\": elephant,\n \"wolf\": wolf,\n \"scream\": scream,\n \"squish\": squish,\n \"wind\": wind,\n \"fish\": fish,\n \"sigh\": sigh,\n \"whoosh\": whoosh,\n \"panting\": panting,\n \"kiss\": kiss,\n \"boing\": boing\n })","pinned":true,"hidden":false,"mode":"ojs","author":"$undefined","summary":"$undefined","tool":"$undefined","providerMetadata":"$undefined","attachments":"$undefined","output":"$undefined","database":"$undefined"},{"id":411,"value":"md`#### IMAGES`","pinned":false,"hidden":false,"mode":"ojs","author":"$undefined","summary":"$undefined","tool":"$undefined","providerMetadata":"$undefined","attachments":"$undefined","output":"$undefined","database":"$undefined"},{"id":421,"value":"displayImage = async (imageName, seconds) => {\n console.log(`@displayImage(${imageName})`);\n $(\"#readerImg\").attr(\"src\", images[imageName]);\n $(\"#readerImg\").show();\n if (seconds !== undefined) {\n await Promises.delay(seconds * 1000).then(() => hideImage());\n }\n}","pinned":true,"hidden":false,"mode":"ojs","author":"$undefined","summary":"$undefined","tool":"$undefined","providerMetadata":"$undefined","attachments":"$undefined","output":"$undefined","database":"$undefined"},{"id":835,"value":"hideImage = () => {\n $(\"#readerImg\").hide();\n $(\"#readerImg\").attr(\"src\", \"\");\n}","pinned":true,"hidden":false,"mode":"ojs","author":"$undefined","summary":"$undefined","tool":"$undefined","providerMetadata":"$undefined","attachments":"$undefined","output":"$undefined","database":"$undefined"},{"id":424,"value":"pathoscripture = FileAttachment(\"MOSHED-2021-3-28-21-48-13 (1) (1).gif\").url()","pinned":true,"hidden":false,"mode":"ojs","author":"$undefined","summary":"$undefined","tool":"$undefined","providerMetadata":"$undefined","attachments":"$undefined","output":"$undefined","database":"$undefined"},{"id":582,"value":"arcology = FileAttachment(\"MOSHED-2021-4-5-1-50-38@1.gif\").url()","pinned":true,"hidden":false,"mode":"ojs","author":"$undefined","summary":"$undefined","tool":"$undefined","providerMetadata":"$undefined","attachments":"$undefined","output":"$undefined","database":"$undefined"},{"id":584,"value":"mars = FileAttachment(\"elon-musk-mars-city-cost-10-trillion-1200x630-1 (1).jpg\").url()","pinned":true,"hidden":false,"mode":"ojs","author":"$undefined","summary":"$undefined","tool":"$undefined","providerMetadata":"$undefined","attachments":"$undefined","output":"$undefined","database":"$undefined"},{"id":586,"value":"parrot = FileAttachment(\"MOSHED-2021-3-28-21-54-47 (1) (1).gif\").url()","pinned":true,"hidden":false,"mode":"ojs","author":"$undefined","summary":"$undefined","tool":"$undefined","providerMetadata":"$undefined","attachments":"$undefined","output":"$undefined","database":"$undefined"},{"id":588,"value":"tailwalk = FileAttachment(\"MOSHED-2021-3-28-21-45-35 (1) 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(1).gif\").url()","pinned":true,"hidden":false,"mode":"ojs","author":"$undefined","summary":"$undefined","tool":"$undefined","providerMetadata":"$undefined","attachments":"$undefined","output":"$undefined","database":"$undefined"},{"id":614,"value":"building = FileAttachment(\"MOSHED-2021-3-28-21-4-52 (1).jpg\").url()","pinned":true,"hidden":false,"mode":"ojs","author":"$undefined","summary":"$undefined","tool":"$undefined","providerMetadata":"$undefined","attachments":"$undefined","output":"$undefined","database":"$undefined"},{"id":883,"value":"claw = FileAttachment(\"IMG_2928 (1) (1).gif\").url()","pinned":true,"hidden":false,"mode":"ojs","author":"$undefined","summary":"$undefined","tool":"$undefined","providerMetadata":"$undefined","attachments":"$undefined","output":"$undefined","database":"$undefined"},{"id":888,"value":"wooden = FileAttachment(\"IMG_2939 (1).gif\").url()","pinned":true,"hidden":false,"mode":"ojs","author":"$undefined","summary":"$undefined","tool":"$undefined","providerMetadata":"$undefined","attachments":"$undefined","output":"$undefined","database":"$undefined"},{"id":892,"value":"chest = FileAttachment(\"MOSHED-2021-4-17-19-3-38 (1).gif\").url()","pinned":true,"hidden":false,"mode":"ojs","author":"$undefined","summary":"$undefined","tool":"$undefined","providerMetadata":"$undefined","attachments":"$undefined","output":"$undefined","database":"$undefined"},{"id":895,"value":"map = FileAttachment(\"MOSHED-2021-4-17-19-30-30 (1).gif\").url()","pinned":true,"hidden":false,"mode":"ojs","author":"$undefined","summary":"$undefined","tool":"$undefined","providerMetadata":"$undefined","attachments":"$undefined","output":"$undefined","database":"$undefined"},{"id":898,"value":"ghost = FileAttachment(\"IMG_2930 (1).gif\").url()","pinned":true,"hidden":false,"mode":"ojs","author":"$undefined","summary":"$undefined","tool":"$undefined","providerMetadata":"$undefined","attachments":"$undefined","output":"$undefined","database":"$undefined"},{"id":901,"value":"catfish = FileAttachment(\"IMG_2932 (1).gif\").url()","pinned":true,"hidden":false,"mode":"ojs","author":"$undefined","summary":"$undefined","tool":"$undefined","providerMetadata":"$undefined","attachments":"$undefined","output":"$undefined","database":"$undefined"},{"id":904,"value":"feral = FileAttachment(\"IMG_2926 (1).JPG\").url()","pinned":true,"hidden":false,"mode":"ojs","author":"$undefined","summary":"$undefined","tool":"$undefined","providerMetadata":"$undefined","attachments":"$undefined","output":"$undefined","database":"$undefined"},{"id":1082,"value":"sofa = FileAttachment(\"MOSHED-2021-4-19-18-47-35.gif\").url()","pinned":true,"hidden":false,"mode":"ojs","author":"$undefined","summary":"$undefined","tool":"$undefined","providerMetadata":"$undefined","attachments":"$undefined","output":"$undefined","database":"$undefined"},{"id":427,"value":"images = ({\n\"pathoscripture\": pathoscripture,\n\"arcology\": arcology,\n\"mars\": mars,\n\"parrot\": parrot,\n\"tailwalk\": tailwalk,\n\"playhouse\": playhouse,\n\"desert\": desert,\n\"zoo\": zoo,\n\"canopy\": canopy,\n\"tundra\": tundra,\n\"beetles\": beetles,\n\"scrub\": scrub,\n\"dolphin\": dolphin,\n\"hovercraft\": hovercraft,\n\"building\": building,\n\"wooden\": wooden,\n\"claw\": claw,\n\"chest\": chest,\n\"map\": map,\n\"ghost\": ghost,\n\"catfish\": catfish,\n\"feral\": feral,\n\"sofa\": sofa\n})","pinned":true,"hidden":false,"mode":"ojs","author":"$undefined","summary":"$undefined","tool":"$undefined","providerMetadata":"$undefined","attachments":"$undefined","output":"$undefined","database":"$undefined"},{"id":185,"value":"md`\n${await FileAttachment(\"MOSHED-2021-3-28-21-48-13.gif\").image()}\n\n${await FileAttachment(\"elon-musk-mars-city-cost-10-trillion-1200x630-1.jpg\").image()}\n\n${await FileAttachment(\"MOSHED-2021-3-28-21-17-54.gif\").image()}\n\n${await FileAttachment(\"MOSHED-2021-3-28-21-33-9.jpg\").image()}\n\n${await FileAttachment(\"MOSHED-2021-3-28-21-54-47.gif\").image()}\n\n${await FileAttachment(\"MOSHED-2021-3-28-21-37-30.gif\").image()}\n\n${await FileAttachment(\"MOSHED-2021-3-28-21-42-16.gif\").image()}\n\n${await FileAttachment(\"MOSHED-2021-3-28-21-19-16.jpg\").image()}\n\n${await FileAttachment(\"MOSHED-2021-3-28-21-26-5.gif\").image()}\n\n${await FileAttachment(\"MOSHED-2021-3-28-21-39-50.gif\").image()}\n\n${await FileAttachment(\"MOSHED-2021-3-28-21-4-52.jpg\").image()}\n\n${await FileAttachment(\"MOSHED-2021-3-28-21-45-35.gif\").image()}\n\n${await FileAttachment(\"MOSHED-2021-3-28-21-27-50.gif\").image()}\n\n${await FileAttachment(\"MOSHED-2021-3-28-21-22-29.gif\").image()}`","pinned":false,"hidden":false,"mode":"ojs","author":"$undefined","summary":"$undefined","tool":"$undefined","providerMetadata":"$undefined","attachments":"$undefined","output":"$undefined","database":"$undefined"},{"id":211,"value":"$4f","pinned":true,"hidden":false,"mode":"ojs","author":"$undefined","summary":"$undefined","tool":"$undefined","providerMetadata":"$undefined","attachments":"$undefined","output":"$undefined","database":"$undefined"},{"id":12,"value":"$50","pinned":true,"hidden":false,"mode":"ojs","author":"$undefined","summary":"$undefined","tool":"$undefined","providerMetadata":"$undefined","attachments":"$undefined","output":"$undefined","database":"$undefined"},{"id":276,"value":"md`

Troubleshooting/things left to do

\n\ncreating links for images: I want certain words to trigger mini-windows that hover over the text as it's being read\n\ncreating continuous audio loops in the background\n\nbreaking up paragraphs so that a. there's at least one image every paragraph and b. audio doesn't need to be started or cut off mid-paragraph\n\nfinding a few more images and inputting them into photomosh.com, matching them to specific words/phrases\n\nrecoding the font for the words that have links\n\nmaybe finding a couple more audio clips`","pinned":true,"hidden":false,"mode":"ojs","author":"$undefined","summary":"$undefined","tool":"$undefined","providerMetadata":"$undefined","attachments":"$undefined","output":"$undefined","database":"$undefined"}],"files":"$W51","stdlib":"1"}} 24:null